This book investigates how drone warfare is deeply gendered and how this can be explored through the methodological framework of 'Haunting'. Utilising original interview data from British Reaper drone crews, the book analyses the way killing by drones complicates traditional understandings of masculinity and femininity in warfare. As their role does not include physical risk, drone crews have been critiqued for failing to meet the masculine requirements necessary to be considered 'warriors' and have been derided for feminising war. However, this book argues that drone warfare, and the experiences of the crews, exceeds the traditional masculine/feminine binary and suggests a new approach to explore this issue. The framework of Haunting presented here draws on the insights of Jacques Derrida, Avery Gordon, and others to highlight four key themes - complex personhood, in/(hyper)visibility, disturbed temporality and power - as frames through which the intersection of gender and drone warfare can be examined. This book argues that Haunting provides a framework for both revealing and destabilising gendered binaries of use for feminist security studies and International Relations scholars, as well as shedding light on British drone warfare. This book will be of interest to students of gender studies, sociology, war studies, and critical security studies.

This book investigates how drone warfare is deeply gendered and how this can be explored through the methodological framework of 'Haunting'. Utilising original interview data from British Reaper drone crews, the book analyses the way killing by drones complicates traditional understandings of masculinity and femininity in warfare. As their role does not include physical risk, drone crews have been critiqued for failing to meet the masculine requirements necessary to be considered 'warriors' and have been derided for feminising war. However, this book argues that drone warfare, and the experiences of the crews, exceeds the traditional masculine/feminine binary and suggests a new approach to explore this issue. The framework of Haunting presented here draws on the insights of Jacques Derrida, Avery Gordon, and others to highlight four key themes - complex personhood, in/(hyper)visibility, disturbed temporality and power - as frames through which the intersection of gender and drone warfare can be examined. This book argues that Haunting provides a framework for both revealing and destabilising gendered binaries of use for feminist security studies and International Relations scholars, as well as shedding light on British drone warfare. This book will be of interest to students of gender studies, sociology, war studies, and critical security studies.

In this sequel to "The War at Troy," the trademark lyricism, lucidity, and mythic power is present in this novel that offers a timely interpretation of one of the world's great stories. After ten years of war, Troy has fallen, yet the gods have turned against the victorious Argives--and their ordeals have only just begun. Agamemnon sails back to Mycenae, where Clytaemnestra has nursed a vengeful fury over his sacrifice of their daughter Iphigenaia. Meanwhile, Menelaus must decide the fate of Helen, over whose incomparable beauty the war was fought. Odysseus, traumatized by the slaughter his own ingenuity unleashed, no longer believes himself fit to return to his wife and son. Driven both by tempests and torment, he embarks on a voyage that will take him to the margins of the world and deep into the shadows of his own heart.

Vigorous new life is breathed into the myth's of Homer's Iliad in Lindsay Clarke's new dramatic retelling of the wars fought for the Bronze Age City of Troy. Paris and Helen, Agamemnon and Clytaemnestra, Achilles, Odysseus and Hector are skilfully rejuvenated in this startlingly contemporary drama of the passions. "The people who lived in those days were closer to gods than we are, and great deeds and marvels were commoner then, which is why the stories we have from them are nobler and richer than our own. So that those stories should not pass from the earth, I have decided to set down everything I know of the stories of the war at Troy - of the way it began, of the way it was fought, and of the way in which it was ended." With these words, Phemius the bard of Ithaca and friend to Odysseus, opens Lindsay Clarke's compelling new retelling of the myths and legends that grew up around the war that was fought for the Bronze Age city of Troy and have magnetized the imagination of the world ever since. Here are the tales of two powerful generations of men and women, living out their destinies in the timeless zone where myth and history intersect and where the conflicts of the human heart are mirrored by quarrels among immortal gods. Peleus and Thetis, Paris and Helen, Agamemnon and Clytaemnestra, Achilles, Odysseus and Hector - all are given vigorous new life in a version of their stories which remains faithful to the mythic form in which they first appeared yet engages the reader in a startlingly contemporary drama of the passions. THE WAR AT TROY speaks to a world still racked by violent conflict in ways which address important aspects of our own experience while at the same time providing imaginative access to the rich store of mythology which is our heritage from the ancient world.

PART TWO OF THE TROY QUARTET Bringing ancient myth to life with passion, humour, and humanity, Lindsay Clarke vividly retells the story of Troy and of the heroes who fought there. Enraged by the betrayal of Helen and Paris, Menelaus and his brother, the High King Agamemnon, gather their allies and set out to conquer the city of Troy. Aboard their ships and behind the city's walls are figures whose names and deeds echo through history - the wily strategist Odysseus, the Trojan champion Hector, and the fiercely proud, impetuous warrior Achilles. 'An engaging retelling of the whole story, neatly blending mythic archaism with modern psychodrama and satire' Mary Beard 1 - A PRINCE OF TROY 2 - THE WAR AT TROY 3 - THE SPOILS OF TROY 4 - THE RETURN FROM TROY

PART ONE OF THE TROY QUARTET Bringing ancient myth to life with passion, humour, and humanity, Lindsay Clarke vividly retells the story of Troy and of the heroes who fought there. When the mortal Paris settles a contest between the gods, he is promised the love of Helen, the most beautiful woman in the world. But Helen is already married, to the powerful Menelaus of Sparta, and the kings of many cities have sworn to defend their union. Paris's divine gift threatens to set his world aflame. 'An engaging retelling of the whole story, neatly blending mythic archaism with modern psychodrama and satire' Mary Beard 1 - A PRINCE OF TROY 2 - THE WAR AT TROY 3 - THE SPOILS OF TROY 4 - THE RETURN FROM TROY

PART FOUR OF THE TROY QUARTET Bringing ancient myth to life with passion, humour, and humanity, Lindsay Clarke vividly retells the story of Troy and of the heroes who fought there. Traumatized by the slaughter that his ingenuity unleashed upon the people of Troy, Odysseus believes himself unworthy of returning home. Embarking on an epic journey to the ends of the world and deep into the shadows of his own heart, Odysseus turns at last for Ithaca, where his wife and son await, besieged by rivals who believe - and wish - him dead. 'An engaging retelling of the whole story, neatly blending mythic archaism with modern psychodrama and satire' Mary Beard 1 - A PRINCE OF TROY 2 - THE WAR AT TROY 3 - THE SPOILS OF TROY 4 - THE RETURN FROM TROY

As war reporter Martin Crowther arrives in Umbria, still raw from a recent assignment in Africa and from a failing love affair back home, a storm hits and the sky opens. Things are powerfully on the move inside him too as he comes to the small village of Fontanalba, on a mission to track down two friends from a lifetime ago. Adam and Marina are the estranged children of his mentor, Hal Brigshaw, who is nearing the end of a turbulent life and wants to summon them home. But there are good reasons for their self-imposed exile - not all of them are understood, and not all are in the past. An air of secrecy also surrounds preparations for an event at Fontanalba in which Adam and Marina have an extraordinary role to play. As Martin waits, trapped between duty and desire, he is both intrigued and dismayed by his dealings with a close-knit community who seem bent on protecting their own - and on shaking the ground of Martin's life.

'A wonderful book' - Dr. Rangan Chatterjee 'Highly convincing' - Daily Express 'Pioneering' - The Telegraph 'The strength of the book lies in its description of how community life can have a transformative effect on individuals' - British Journal of General Practice Across the country, general hospital admissions are on the rise. But in a small town in rural England, thanks to the simple introduction of kindness and compassion, that trend has been reversed. And what this town achieved, we can all adopt in our own lives to powerful effect. Through daily mindful acts of care we are capable of changing things for the better, both inside ourselves and for the world around us. Frome in Somerset isn't special. It could be any town; it could be your town. And yet the people who live there have a story to tell about the simple, ground-shaking power of compassion. If it came in tablet form, it would be hailed as a wonder of modern medicine. By contrast, it's entirely free but offers heartening evidence that when human beings make time for each other, the beneficial effects go far beyond the reach of naive optimism. 'A culture in which compassion is a prevailing value allows individuals to flourish and bring their talents and gifts to the communities in which they live. Unanticipated possibilities emerge, presenting fresh ways of addressing what previously appeared to be insoluble problems. Hearts are lifted. The case for hope is more strongly made. And as the people who work in this way begin to change the world immediately around them, so too, the wider world beyond begins to change.' Dr Julian Abel & Lindsay Clarke

Austin Palmer and his wife Kay had come, full of dreams and aspirations, to a school deep in the rain-forest of a newly independent West African state. But things had not worked out as they had hoped. When Kay returns to England, Palmer moves away from the school compound into the nearby town of Ogun-Adoubia. Here he is confronted by a power far older than any government, and by his own inner darkness. When that confrontation is over nobody cares to talk about the Sunday Whiteman.